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Katie Morag fans should note that Stuart Hepburn, Martin McCardie Sergio Casci and Lindy Cameron of Move On Up TV have been nominated for Best Children’s Screenplay in the British Screenwriter’s Awards as part of the London Screenwriter’s Festival . We all owe a great debt to Mairi Hedderwick for her fantastic books, and to Director Don Coutts and his Cast and Crew. If you are fans of the CBeebies and BBC Childrens series about the adventures of the wee girl from Struay, you can vote by clicking here. VOTE FOR KATIE MORAG
StudioLab is a unique crossover project which allows University Of The West Of Scotland students from across all programmes in the School Of Creative & Cultural Industries to collaborate together to create a live recorded TV Programme.
Over the past 7 weeks, as part of their CSA Research Project, 4th Year Contemporary Screen Acting Students have been tasked with creating a 30-45 minute piece of TV Drama. They are devising , workshopping , and will finally record this programme live on Weds 11th December.
To do this requires the support and help of students from other programmes to chronicle and record the work. We will be continuing with StudioLab next Trimester at UWS so if you are a student in the UWS School Of Creative & Cultural Industries and are interested in taking part as a Designer, Producer, Director, Runner, Camera Operator, Musician, Digital Artist, Screenwriter or whatever your chosen specialism may be, please come along to our first meeting.
Every Weds, 1.30 PM TV Studio 1, UWS Ayr.
Please email me at [email protected] to book a place.
The University of Glasgow is running a narrative nonfiction writing competition, reaching out to writers all over the world. This includes FREE narrative nonfiction writing workshops in the Gilchrist Postdoctoral Club, open to all, undergraduate and the general public as well. These will take place on the 2nd August and 4th September from 5-8pm.
To register please get in touch on [email protected]
They’re looking for entries inspired by any science, art or humanities research at the University of Glasgow. Prizes include books, mentoring and publication in an online anthology.
Full details here: http://www.gla.ac.uk/research/competition/
I have blogged in the past about using new media platforms as a learning & teaching resource. The entire content of our BA (Hons) Contemporary Screen Acting Programme at the University of the West of Scotland is delivered using Twitter, Posterous and Youtube at the very core of Teaching , Learning and , crucially Assessement. From it’s inception in September 2010, student engagement with these platforms was developed gradually over the first 15 weeks of the programme. In the second trimester of the programme there is now 100% participation from the students and participating staff across a wide range of New Media . However I had carried out no empirical research on the pace of takeup from the students. This was due to the fact that September 2010 was the first time I had run the programme and I had other things on my mind more pressing than research.
However it has become clear from the level of student engagement and their enthusiastic and positive feedback that the experiment of using the new media in this way been a qualified success. Obviously I was hampered in that I had no data to demonstrate to what degree this had been the case . I also did not know if the alacrity with which my small group of 15 Performance students engaged with these new platforms could be replicated across the board with other Creative Industries students. The students had, after all, been interviewed and recruited on the basis of using these new media platforms as the key deliverer of their creative screen acting work.
My colleague John Quinn and I teach a module on the Film Making and Screenwriting Programme here at UWS titled “Team Writing For Television.” You can read about the background of TWFTV as I have blogged previously about the module here .We
decided to attempt to use Twitter as a platform at the centre of the module for student feedback ,f eedforward and reflecti0n, using the #TWFTV hashtag.
Since the start of the Module in February 2011, there have been over 300 (and building) separate #TWFTV responses from the students. You can carry out your own #TWFTV search on twitter to have a look at them right now. They range from reflections on lessons, suggestions for new themes and Television Series to studied , and real time comments on shows I have asked them to watch out of class.This has been a voluntary process. Every time John or I get an interesting tweet on #TWFTV, we RT this to our own followers. There are no marks or brownie points for the students, other than the fact that we have shown them that we read their tweets, and will respond to them if we can. The sight of a student’s face when you reveal that you are indeed going to analyse their favourite long running TV series because of a casual mention on Twitter makes the whole exercise worthwhile. Thus, they KNOW that we listen to them , and the engagement goes up steadily as a result. A point to note is that the content of the students tweets,( contrary to fears expressed by colleagues) has been overwhelmingly positive and creative as the take up has grown steadily. It takes a bit of courage to throw open the doors of the classroom to one billion potential eyes and ears, but so far no one has flamed us online, and even if they did, as is the way with Twitter, the dogs would bark, and the caravan would move on. At least I hope that is what would happen. We shall see.
As the module has progressed,John Quinn and I have been monitoring, reflecting and reacting to the tweets, and have now carried out a short interim survey of the up take and use of Twitter and feedback from the students, to see if we can draw any general conclusions. We are specifically interested in exploring the use of Twitter as a tool for enhancing the Teaching and Learning experience from the perspective of the student.
There have been some serendipitous events as a result of this process. Peter Kosminsky (@kosmoSFL ) tweeted back to us on our response to his recent mini series “The Promise”. Francis McKee of the CCA in Glasgow ( @CCA_Glasgow) RTd one of our responses also using the hashtag. Reaction to our discussions have come from followers of The Glasgow Film Festival, Step2CollaboTV, and even as far afield as the States and Australia. In this way, the #TWFTV hashtag, which started off as a modest attempt to engage some students in Ayr with their teaching and learning has spread its wings far afield. It’s no Justin Beiber, but at least it is causing a small ripple or two in the Tweetoshpere. I even recieved an email from New Zealand asking me about the module and if we taught it by distance learning!
Below are some of the preliminary data and findings of this anonymous survey.
It is worth noting that the *12.82% of students who had used Twitter in the past for academic communication were all studying on my Contemporary Screen Acting programme. None of the remaining students had used Twitter in this way before. This survey was carried out in Week 5 of a 15 week module, so we are one third of the way through the process.
Response rate 78% (39/50)
1. Prior to the start of the TWFTV module, had you ever communicated with your tutors about class matters via a social networking platform?
2. Since the start of the TWFTV module, have you communicated with your tutors about class matters via a social networking platform?
3%. Do you think that social networking platforms are a useful tool in communicating feedback to your peers and tutors?
4. Would you like to see more modules using social network platforms for class feedback and engagement?
5. Do you prefer using tools such as Twitter, Facebook and Google Docs to the university VLE Blackboard for feedback and communication?
We also asked for comments from the students about the use of Twitter. These were almost wholly positive .
One note of criticism was that ” It’s not fair that students who don’t use Twitter have an advantage by getting their views across.” my response to that was , if you think that they are gaining an advantage, then engage!
Another comment was ” You should use Facebook. Students don’t like Twitter”
Actually we ARE using Facebook, all my Tweets are delivered to my Facebook site, and at least two of our teams use Facebook pages to communicate with one another, as well as Googledocs and , suprise surprise, Blackboard. However I am happy not to use Facebook directly, as that’s where students tend to hang out and discuss…well everything. And I don’t want to hear everything, I only want to hear about stuff relating to TWFTV. I don’t have to follow them or find out what they did on Friday night, but I am able to key into their thoughts and comments every time they decide to use the TWFTV hashtag. I make sure that I do a #TWFTV search once a day , and then RT any interesting material, and also ensure that I act upon any good suggestions. One very interesting corollary to this is that it is many of the most reticent students who use Twitter, the ones who never ask questions in class, the silent majority. Twitter gives them the ability to ask questions and make points without having to intervene at class.
I should add that Twitter is used exclusively as an ADD ON platform to our VLE, Blackboard. All important messages, assessments,dates, pdfs of lectures and the like are posted on Blackboard, and these are supplemented by a weekly videocast from me which you can see on the blog above.
These findings were presented and discussed at the Student Engagement in Learning & Teaching Forum (SELT) in the classroom of the Future at the University Of The West Of Scotland on Thursday 3rd of March at 10.45 GMT. We carried out a real time discussion with the students and staff, and demonstrated a real time Twittter Ticker on display. The idea that a group of students can contribute any where , any time , to a discussion about the delivery of their own teaching and learning is a relatively innovative idea, and one that I will continue if I present the final figures. Another interesting point which came up in discussion is that we fully expect the students to continue engaging in online discussion using #TWFTV after the module has finished. We will archive the searches and use them as a resource for next years class. It may be the case that this cohort of students will carry on this method of feeding back in other classes. Time will tell.
We will continue with the monitoring process as the weeks go by, and share our data and findings in a concluding blog. along with a set of conclusions.
Watch this space, and for a real time update, carry out a #TWFTV search on Twitter right now.
I will be presenting the final results at the TeachMeet event at UWS Ayr on Thurs April 23rd.
The University Of The West Of Scotland’s School of Creative and Cultural Industries Knowledge Transfer Partnership (KTP) is aimed at producing an innovative training video on discrimination at work. The project is designed as bespoke piece of training for our partners, leading Glasgow law firm, Law at Work, and is now entering a crucial phase in Week 7.
UWS graduate and KTP Associate Chris Young has delivered a 20 page research dossier on Innovative Training Videos which was discussed at our last programme meeting at our partner Law At Work’s HQ in Glasgow. This impressive body of research will provide the creative team with the theoretical underpinning for the next stage of the process. It is this critical research based approach which makes the KTP unique in terms of it’s impact on our creative educational practice and the service that we can provide for industrial partners such as Law At Work.
In the light of our discussions, Chris is now finalising the shooting script of the web-based training video. With a planned screentime of 20 minutes, and a cast of 12, this is a major undertaking for Chris as a first time professional director. Camera, lighting, sound , makeup, and catering have all been finalised for the weekend shoot, and if the script outlines are anything to go by, we are looking forward to a fantastic piece of work from Chris and his production team.
The final draft of the script will be ready by Friday 29th of October, casting will have been finalised by Wednesday 3rd November, ready for the shoot on Sat and Sun 6th and 7th of November. The KTP team are taking over the entire floor of Law At Works offices for two days in order to shoot the video.
Post production is slotted in at UWS Ayr for the two weeks after this, with a planned delivery of the final product to our clients Law at Work on 22nd of November. As luck would have it, the filming of the new video takes place at the same time as Law At Work are undertaking a complete re-branding of their website and corporate identity. It is planned to coordinate the launch of the video with the new website in the new year. The timing for all of this could not be better.
It has been a challenging process for all involved, particularly since this is the first ever KTP embarked upon by the School Of Creative And Cultural Industries.
These are exciting times for all those involved in this unique project. There’s no doubt that this will lay down a marker for the sort of creative engagement with industry which the UWS Skillset Media Academy plans to roll out in the future.
Due to the three year success of workshops at Write Camera Action, with such fantastic writing, talented cast and enthusiasm from all directors/producers and participants involved, it has sparked some amazing collaborative no/low-budget projects being made. WCA would like to encourage and support more independent productions with two new initiatives:
1. Open Script Competition
All scripts entered will be given feedback. A winning script will be voted by the panel to be produced sourcing cast and crew from WCA and affiliated groups, with equipment provided by Moniton Pictures. The finished film will be ready for festival entry and be a calling card for all parties involved, with the writer retaining copyright of all material included.
Submissions open from 18th Oct. 2010. Deadline closes 14th Jan. 2011. The entry fee of £15 per script will generate the funding to produce the winning script. More than one entry is not only allowed – it’s applauded! The winning script will be announced at WCA networking night at CCA on 29th Jan. 2011. Entry criteria and more details on request from
2. WCA presents a night of Film screenings & Networking
A lot of you have embraced the ethos of WCA and have formed collaborations to get those ideas work shopped at WCA actually produced, with some currently in production, WELL DONE! Some of you are still thinking about it, WELL DON’T! Now is the time to get them made, get them finished and let’s show them! WCA announces an evening of film screenings from WCA collaborations to be held on Friday 22nd April 2011 at the CCA with networking at the CCA bar afterwards.
The evening will be open to the public with specially invited industry guests. It will be ticketed to generate two cash prizes, 1) for the winning film voted for on the night by the guest panel, and 2) the winning film of the public vote from the audience. More details and reminders next year but this early announcement will allow people to get their films finished and/or into production in time to enter.
Submissions open from 30th Nov. 2010. Deadline 31st March 2011. Collaboration can mean utilizing mailing list, casting, crew, work shopping etc. Entry criteria and more details on request from Tickets £10, limited and available from CCA Box Office.
It’s always gratifying to see that ones students are doing well. Often, they graduate and you never hear a word till you pick up a paper and see what they are up to.My morning was brightened up by discovering that Kirkcaldy-based Martin McCormick, who completed his BA Performance Degree at UWS last year is getting rave reviews as David The Narrator in Gridiron’s “Decky Does A Bronco” . The production is currently touring outside site specific venues in Fife. Well done Martin.They will be dancing in the streets of Raith tonight.
Decky Does a Bronco is at Lochgelly today, Ballingry tomorrow, and Crosshill on Saturday, East Fife and North-East Scotland until 22 July, Dundee Rep from 23-24 July and at the Edinburgh Fringe, [email protected] Yard Playground, from 6-21 August.